This is the second in an ongoing series of Unity related posts. Click here to read part one and try the day/night demo.
The next thing I set out to develop in Unity was a simple, touch controller ‘avatar’ that could move with a natural, fluid motion – the idea being that this simple interaction would be rewarding in it’s own right. I was hugely inspired by Journey for PS3, and how the players movements made up a large part of the overall experience – simply travelling through the world became one of the biggest rewards for playing the game.
Last year, I began a several-month-long process of learning to use Unity – a highly accessible, cross platform 3D game engine – with the ultimate goal of exploring it’s potential to create an interactive ‘toy’ along the same lines as Windosill by Vectorpark.
In the process I built a series of experiments, each focusing on different aspects of the engine and all contributing towards a final “proof of concept” design. It’s unlikely that these experiments will become part of a finished project in their own right, so I’m keen to share them here, with a few things I learned along the way.
Just finished watching Season Four of Breaking Bad. Bryan Cranston has a face begging to be painted! Click here to view the whole set!
The piece above represents a bit of an experiment for me, and anyone who’s familiar with my portfolio will recognise a pretty big departure from my typical style of working. Inspiration struck, so I rolled with it :D